
It was literally thundering outside today when I had my first bolt out of the blue courtesy of my muse Nat'ly.
I had already cranked out about 1,500 words of uninspired prose, trying to give enough information about the rituals and ceremonies of Mardi Gras so the reader could understand what was going on without being bored or turning the tale into a travelogue. Simultaneously I was struggling desperately not to stall the story. And I was failing pretty miserably on all counts.
So, there I was, staring at my screen and wondering how to clean up the mess I had just made, when it happened. Project Y is only 113 pages long thus far, but it's already building to a climactic scene I'm calling "The Battle of New Orleans" in my notes. This big scene is a long, long way off, and until now I really only had the vaguest idea of what it would entail, but Nat'ly came out of nowhere, slammed me upside the head and said "here you go."
Nat'ly's gift, her clear vision for "The Battle of New Orleans" is really, really funny, fits the plot perfectly and is just generally kind of ingenious. I've never read any work of fiction that has anything quite like what she showed me. I literally started jumping around in my office, delighted at my good fortune and started writing on my notepad like the idea might get away (not a chance!).
After that, I sat back down and the story started to move again. Thank you sweet fair Nat'ly!
I had a lot to share with you today involving figs, swine flue and other cool stuff, but it can all wait. Instead, I'll give you the longest sample yet of Project Y, since several of you have said that you enjoy these. This bit, written today, is a little over 800 words.
Let me set it up for you. Allen Kunkleman, Klunk as he's known, is a low level member of the imaginary Mid-City Desperados motorcycle gang. He finds a gold cup he thinks belongs to the Krewe of Rex, which is a very real and old-line Mardi Gras organization, and he wants to ransom it.
Since Klunk is a bad guy, it's not surprising that his choice of words is unsuitable for an all-ages format, so I've changed any words that might offend tender sensibilities to "snick" for the purposes of this blog.
Enjoy:
Of course there wouldn’t be a listed phone number for Rex, they were too full of themselves for that, but Klunk remembered one of Rex’s little subterfuges was to call itself the School of Design. This was common knowledge. New Orleans is a city filled with secrets and mysteries, but everybody already knows them. A quick call to directory assistance gave him the number for a School of Design on Claiborne Avenue, which everyone in town knew was the “secret” location of the Rex Den. He was in business.
After two rings Klunk heard “School of Design,” on the other end of his phone. The sprightly male voice on the other end had an educated Uptown New Orleans accent with a bit of a lilt to it, his voice rising on the word “design”. In the background he could hear the sound of power tools as workers put the final touches of the floats being readied for Mardi Gras morning, just two days away. Oh yeah, he’d found the right number, all right
“This Rex?”
“I beg your pardon?”
"Is this Rex?” Klunk repeated, a little more forcefully.
“Sir, this is the School of Design,” said the voice on the other end.
“Whatever. I’ve got your snicking cup you snick.”
“Wow, you certainly have a potty mouth sir, and I have no idea what you’re talking about. The next thing you’re going to hear is a dial tone.”
“Snick!” Klunk thundered as the connection broke. He redialed.
“School of Design.”
“Listen, sni-, listen mister—I have your snick Rex cup.”
"You again? Look, my slow friend, this is the School of Design, and I don’t have a clue what you’re babbling about,” said the voice.
“The cup. The cup. You know, the gold cup you guys use for the Meeting of the Courts. I’ve got it and you’re going to have to buy it back from me.”
“Oh my Gawd! Holy snick!” There was a brief commotion on the other end of the line and Klunk could hear the voice shout “Hey Chip, go into the safe and tell me if the chalice is in there.”
“Listen pal, if you do have our chalice, you need to return it right this minute or there will be big trouble for you. I’ve got your number on my caller ID, so we know who you are.”
“Doesn’t matter. Cell phone’s stolen anyway,” Klunk replied mildly.
“Of course it is,” said the voice in a slightly more resigned tone of voice. Being a New Orleanian, the man on the other end was not entirely unfamiliar with the ways of the hoodlums who resided in his city. “So, what kind of, um, reward are you looking for?”
Klunk had once been told by a used car guy he met in court-ordered rehab that you should always start high when working a deal. “I’d say ten grand ought to be fair.”
“Are you insane? We can have a new one made for a fraction of that.”
Snick that used car junkie, thought Klunk as he realized he had put himself at a disadvantage by aiming too high at the start. He immediately dropped to his original asking price. “But I bet you can’t get a new one made before Tuesday. Tell you what, I’m a Rex fan and I don’t want to ruin your little ceremony. How about you give me two grand and we’re square?”
“Well that’s a little more reasonable,” said the voice, “but I think two hundred dollars might be a fairer repayment for your troubles.”
Klunk knew he was outgunned. He had entered into a negotiation with a member of Rex, which meant the voice on the other end belonged to one of the top lawyers, businessmen or politicians in the city. These guys are the best of the best when it comes to driving a hard bargain—wheeling and dealing is what they live for. Besides, he’d been hitting the Ancient Age from that cup pretty hard all morning, so he knew this wasn't a fair fight. He was about to drop his asking price to two fifty to save face and get it over with when he heard muffled voices on the other end. Evidently Chip had returned.
The guy on the other end sounded confident after his brief sidebar with Chip—it was the voice of a man back in his rightful place as a master of his universe.
“Look, my moronic friend, I don’t know what you have, but it’s not what you think it is. I’m holding our chalice right now and it’s perfectly fine. You’ve probably mistaken a plastic go cup or a hurricane glass for our chalice in that drug addled haze you are no doubt in right now. Now go back to your toothless mama’s trailer or whatever filthy little lair you inhabit and try sleeping it off, why don’t you? And don’t ever call this number again. Trust me, if you continue to annoy us, we can find you and make your life more of a living hell than it already is. Thank you for calling the School of Design.”
Once again, the phone went dead. That didn’t go so well, thought Klunk, who was no stranger to disappointment.
I had already cranked out about 1,500 words of uninspired prose, trying to give enough information about the rituals and ceremonies of Mardi Gras so the reader could understand what was going on without being bored or turning the tale into a travelogue. Simultaneously I was struggling desperately not to stall the story. And I was failing pretty miserably on all counts.
So, there I was, staring at my screen and wondering how to clean up the mess I had just made, when it happened. Project Y is only 113 pages long thus far, but it's already building to a climactic scene I'm calling "The Battle of New Orleans" in my notes. This big scene is a long, long way off, and until now I really only had the vaguest idea of what it would entail, but Nat'ly came out of nowhere, slammed me upside the head and said "here you go."
Nat'ly's gift, her clear vision for "The Battle of New Orleans" is really, really funny, fits the plot perfectly and is just generally kind of ingenious. I've never read any work of fiction that has anything quite like what she showed me. I literally started jumping around in my office, delighted at my good fortune and started writing on my notepad like the idea might get away (not a chance!).
After that, I sat back down and the story started to move again. Thank you sweet fair Nat'ly!
I had a lot to share with you today involving figs, swine flue and other cool stuff, but it can all wait. Instead, I'll give you the longest sample yet of Project Y, since several of you have said that you enjoy these. This bit, written today, is a little over 800 words.
Let me set it up for you. Allen Kunkleman, Klunk as he's known, is a low level member of the imaginary Mid-City Desperados motorcycle gang. He finds a gold cup he thinks belongs to the Krewe of Rex, which is a very real and old-line Mardi Gras organization, and he wants to ransom it.
Since Klunk is a bad guy, it's not surprising that his choice of words is unsuitable for an all-ages format, so I've changed any words that might offend tender sensibilities to "snick" for the purposes of this blog.
Enjoy:
Of course there wouldn’t be a listed phone number for Rex, they were too full of themselves for that, but Klunk remembered one of Rex’s little subterfuges was to call itself the School of Design. This was common knowledge. New Orleans is a city filled with secrets and mysteries, but everybody already knows them. A quick call to directory assistance gave him the number for a School of Design on Claiborne Avenue, which everyone in town knew was the “secret” location of the Rex Den. He was in business.
After two rings Klunk heard “School of Design,” on the other end of his phone. The sprightly male voice on the other end had an educated Uptown New Orleans accent with a bit of a lilt to it, his voice rising on the word “design”. In the background he could hear the sound of power tools as workers put the final touches of the floats being readied for Mardi Gras morning, just two days away. Oh yeah, he’d found the right number, all right
“This Rex?”
“I beg your pardon?”
"Is this Rex?” Klunk repeated, a little more forcefully.
“Sir, this is the School of Design,” said the voice on the other end.
“Whatever. I’ve got your snicking cup you snick.”
“Wow, you certainly have a potty mouth sir, and I have no idea what you’re talking about. The next thing you’re going to hear is a dial tone.”
“Snick!” Klunk thundered as the connection broke. He redialed.
“School of Design.”
“Listen, sni-, listen mister—I have your snick Rex cup.”
"You again? Look, my slow friend, this is the School of Design, and I don’t have a clue what you’re babbling about,” said the voice.
“The cup. The cup. You know, the gold cup you guys use for the Meeting of the Courts. I’ve got it and you’re going to have to buy it back from me.”
“Oh my Gawd! Holy snick!” There was a brief commotion on the other end of the line and Klunk could hear the voice shout “Hey Chip, go into the safe and tell me if the chalice is in there.”
“Listen pal, if you do have our chalice, you need to return it right this minute or there will be big trouble for you. I’ve got your number on my caller ID, so we know who you are.”
“Doesn’t matter. Cell phone’s stolen anyway,” Klunk replied mildly.
“Of course it is,” said the voice in a slightly more resigned tone of voice. Being a New Orleanian, the man on the other end was not entirely unfamiliar with the ways of the hoodlums who resided in his city. “So, what kind of, um, reward are you looking for?”
Klunk had once been told by a used car guy he met in court-ordered rehab that you should always start high when working a deal. “I’d say ten grand ought to be fair.”
“Are you insane? We can have a new one made for a fraction of that.”
Snick that used car junkie, thought Klunk as he realized he had put himself at a disadvantage by aiming too high at the start. He immediately dropped to his original asking price. “But I bet you can’t get a new one made before Tuesday. Tell you what, I’m a Rex fan and I don’t want to ruin your little ceremony. How about you give me two grand and we’re square?”
“Well that’s a little more reasonable,” said the voice, “but I think two hundred dollars might be a fairer repayment for your troubles.”
Klunk knew he was outgunned. He had entered into a negotiation with a member of Rex, which meant the voice on the other end belonged to one of the top lawyers, businessmen or politicians in the city. These guys are the best of the best when it comes to driving a hard bargain—wheeling and dealing is what they live for. Besides, he’d been hitting the Ancient Age from that cup pretty hard all morning, so he knew this wasn't a fair fight. He was about to drop his asking price to two fifty to save face and get it over with when he heard muffled voices on the other end. Evidently Chip had returned.
The guy on the other end sounded confident after his brief sidebar with Chip—it was the voice of a man back in his rightful place as a master of his universe.
“Look, my moronic friend, I don’t know what you have, but it’s not what you think it is. I’m holding our chalice right now and it’s perfectly fine. You’ve probably mistaken a plastic go cup or a hurricane glass for our chalice in that drug addled haze you are no doubt in right now. Now go back to your toothless mama’s trailer or whatever filthy little lair you inhabit and try sleeping it off, why don’t you? And don’t ever call this number again. Trust me, if you continue to annoy us, we can find you and make your life more of a living hell than it already is. Thank you for calling the School of Design.”
Once again, the phone went dead. That didn’t go so well, thought Klunk, who was no stranger to disappointment.












